française  español Federico Brandt’s background derives from this nexus, and his work, his paintings gather the best tradition of modernity: his idea of structure, his spirit of invention and variation, the order not conceived as scheme but as rhythm and his ability to place in his works an internal luminosity, a field of light that strongly corresponds with the character of forms.  Federico Brandt joins visual unity with mystery and charm; it is in that line that genuine painting, taken by modernity to mastery, is inserted always requiring the spiritual creator. His work, with neither “folklorism” nor “tipismos” (1), produces an  imaginary daughter of rhythm, spaces and sites, where the thoughtful observer will recognize the authentic mastery, the essential.   Guillermo Fernández Maestro de Pintura (1) T.T.G. (1957-1961) Torres García, by Jean Cassou. Ed.Fernand Hazar,Paris,1955 (1) Group of typical features. (2) Professor of Painting